Album: Starry Nights

Description: Searchlights sweep across Van Gogh's swirling sky above Area 69's bunkers and barbed wire fences in Bone County. Even the stars can't look away from this classified San Andreas desert base.

Description: Radar domes and runways stretch toward the ocean cliffs under Van Gogh's swirling night sky. Fort Zancudo's bridge and hangars glow under the crescent moon, quiet above the Pacific.

Description: The lambda logo glows under Van Gogh's swirling night as satellites and silos tower over the Half-Life research facility in the New Mexico desert.

Description: Barns, silos, and fences glow under Van Gogh's swirling night above Grapeseed. Fields stretch to the water's edge as farmhouse windows throw warm light across the Blaine County dark.

Description: Searchlights slice through a Van Gogh swirling sky above Bolingbroke's guard towers and desert walls. Even the stars can't escape the reach of San Andreas's most infamous prison.

Description: Cannons and a flag watch over Fort Wallace's stone walls under a Van Gogh night sky. Wooden bridges span the canyon as barracks glow with lantern light deep in New Hanover.

Description: A ruined circular fort dissolves into pine trees and river mist under Van Gogh's purple and blue night sky. Fort Brennand's crumbling walls and drawbridge glow beneath the crescent moon.

Description: Adobe walls and wooden gates glow under Van Gogh's starfield as Fort Mercer stands quiet against the New Austin desert night. Lit windows mark the guard posts as cacti crowd the approaches.

Description: Torchlit tents and a flagpole stand inside Fort Riggs's wooden palisade under a sweeping Van Gogh starfield. Desert hills roll beyond the walls as the crescent moon rises.

Description: A clock tower and guard towers pierce Van Gogh's swirling night sky above Sisika Penitentiary. Searchlights and glowing windows break the darkness of the lake-ringed island prison.

Description: Van Gogh never made it to Chicago, but Starry Night did. Tribune Tower and the Wrigley Building glow under a swirling gold-and-blue sky while the Chicago River bends below and foot traffic moves along the riverwalk.

Description: A suspension bridge curves through Van Gogh's swirling night above Liberty City's glowing docks and skyscraper skyline. Stars and crescent moon reflect off the dark harbor water.

Description: Art deco buildings, neon signs, and palm trees glow under Van Gogh's purple and blue swirling night sky at Vice City Beach. Waves crash as the Ocean View Hotel and mansion light the horizon.

Description: Curiouser and curiouser — Van Gogh meets Wonderland in this stunning Starry Night painting. The Cheshire Cat grins from a tree, large mushrooms dot the checkered path, and a heart-shaped castle glows beneath swirling clouds and a crescent moon.

Description: Van Gogh's swirling cosmos meets Annesburg's coal-black skyline. Smoke stacks twist into the starry sky above the mine as yellow windows glow through the dark New Hanover night.

Description: A flying saucer drifts through Van Gogh's swirling night above star-shaped runways and radar towers at Groom Lake. Nevada's most classified base never looked this beautiful.

Description: A wooden shack and radio antennas sit atop the peak as Van Gogh's night swirls with alien graffiti below, an illuminati triangle, UFO, and alien head scrawled on the foundation.

Description: They're creepy and they're kooky, mysterious and spooky — and the house matches the family perfectly. The Addams mansion is one of the most iconic haunted houses in pop culture history and somehow, impossibly, it always looks like a home.

Description: Herman, Lily, Grandpa, and Eddie in the most lovably eccentric haunted house on television. The Munsters made monster movies cozy and 1313 Mockingbird Lane was the beating heart of it. They were weird and they were a family and somehow that made everything fine.

Description: The largest privately-owned home in America — 178,926 square feet of Gilded Age ambition carved into the Blue Ridge Mountains by George Vanderbilt. Biltmore is what happens when someone has more money than any one person should have and decides to spend it on a castle.

Description: Kevin McCallister was accidentally left behind in Winnetka, Illinois and turned the family home into a war zone that Harry and Marv were completely unprepared for. Home Alone's house is Christmas cinema royalty and the booby traps are non-negotiable.

Description: The Crystal Ship. Walter White and Jesse Pinkman started cooking in a mobile home in the New Mexico desert and it became one of the most iconic vehicles in television history. Say my name.

Description: The game is afoot. 221B Baker Street is the most famous fictional address in British literature — home to the world's greatest detective and his long-suffering companion. London has never been the same since Arthur Conan Doyle pointed the world to that door.

Description: Old sport. Jay Gatsby threw the most spectacular parties in West Egg and none of them were really about the guests. The mansion is a monument to longing — every window blazing with light, every party for an audience of one who never arrived.

Description: Reader, she married him. But first she had to figure out what was locked in the attic at Thornfield Hall. Charlotte Brontë's gothic manor is one of literature's most atmospheric settings — handsome, secretive, and hiding something enormous in the firelight.

Description: Van Gogh's swirling cosmos meets the most futuristic building in Las Vegas — the Sphere glowing above the Strip as post-impressionist stars sweep across the Nevada desert sky.

Description: Whatever our souls are made of, his and mine are the same. Emily Brontë's moorland farmhouse is the setting for one of literature's great destructive love stories — bleak, windswept, and absolutely obsessed with itself. Heathcliff never really left.

Description: Time stopped at Satis House the moment Miss Havisham was jilted. Charles Dickens' decaying mansion — wedding cake rotting on the table, clocks frozen at twenty to nine — is one of literature's most powerful settings of grief turned into obsession.

Description: Adventure is out there. Carl Fredricksen tied ten thousand balloons to his house and floated it to South America to keep a promise to his late wife, Ellie. The first ten minutes of Up are the most emotionally devastating sequence in Pixar's history and this house is why.

Description: FRAGILE! The Parker family home in Hammond, Indiana is one of the most beloved addresses in holiday cinema — the house where Ralphie obsessed over a Red Ryder BB Gun, the leg lamp glowed in the window, and Christmas happened the way Christmas is supposed to happen.

Description: As God is my witness, I'll never be hungry again. Tara is Scarlett O'Hara's spiritual home — the plantation she fought to save, return to, and rebuild. Margaret Mitchell made an address into an obsession and Gone with the Wind made it iconic.

Description: The Basileus Machine — a house made entirely of glass, etched with Latin incantations, designed to trap and weaponize twelve specific ghosts. Thirteen Ghosts gave horror cinema one of its most visually inventive settings and then filled it with genuinely disturbing spirits.

Description: She's the fastest ship in the Caribbean and the most feared. The Black Pearl under Captain Jack Sparrow wasn't just a ship — it was a character, and every scene with her under sail felt like freedom and doom in equal measure.

Description: Hey you guuuuys. The Goonies house in Astoria, Oregon launched a thousand treasure hunts and a generation of kids who genuinely believed adventure was real if you just looked hard enough. Goonies never say die.

Description: 999 happy haunts — but there's always room for one more. The Haunted Mansion at Disneyland has been scaring and delighting guests since 1969 and it remains one of the most beloved theme park attractions ever created. The ghost host never lets anyone leave disappointed.

Description: They're here. The Freeling family's suburban home in Cuesta Verde became the most ordinary-looking extraordinary horror in cinema. Tobe Hooper and Steven Spielberg understood that nothing is scarier than something awful happening in a perfectly normal house on a perfectly normal street.